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Artworks from the MOMA, Museum of Modern Art , Page 3

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Composition: Horse and Figures, Arshile Gorky

Composition: Horse and Figures Arshile Gorky, 1928

Dutch Interior (I), Joan Miró

Dutch Interior (I) Joan Miró, 1928

Figure, André Breton

Figure André Breton, 1928

New LEF: Journal of the Left Front of the Arts, Aleksandr Rodchenko

New LEF: Journal of the Left Front of the Arts Aleksandr Rodchenko, 1927 – 1928

The Lovers, René Magritte

The Lovers René Magritte, 1928

Woman with Flag, Tina Modotti

Woman with Flag Tina Modotti, 1928

Illumined Pleasures, Salvador Dalí

Illumined Pleasures Salvador Dalí, 1929

Tehuantepec Type, Tina Modotti

Tehuantepec Type Tina Modotti, 1929

The False Mirror, René Magritte

The False Mirror René Magritte, 1929

Untitled, Aleksandr Rodchenko

Untitled Aleksandr Rodchenko, 1929

Ballet, Light Maquette, Aleksandra Ekster

Ballet, Light Maquette Aleksandra Ekster, 1926 – 1930

Indian Dancer: From an Ethnographic Museum, Hannah Höch

Indian Dancer: From an Ethnographic Museum Hannah Höch, 1930

Lumber, Aleksandr Rodchenko

Lumber Aleksandr Rodchenko, 1930

Pioneer with a Bugle, Aleksandr Rodchenko

Pioneer with a Bugle Aleksandr Rodchenko, 1930

Simultaneous Counter-Composition, Theo van Doesburg

Simultaneous Counter-Composition Theo van Doesburg, 1929 – 1930

The Persistence of Memory, Salvador Dalí

The Persistence of Memory Salvador Dalí, 1931

Couple, Harlem, James Van Der Zee

Couple, Harlem James Van Der Zee, 1932

Family Portrait, II, Florine Stettheimer

Family Portrait, II Florine Stettheimer, 1933

Landscape, André Breton

Landscape André Breton, 1933

Large Still Life with Coffeepot, Giorgio Morandi

Large Still Life with Coffeepot Giorgio Morandi, 1933

Retrospective Bust of a Woman, Salvador Dalí

Retrospective Bust of a Woman Salvador Dalí, 1933

Ornamental Gargoyle, Chrysler Building, Margaret Bourke-White

Ornamental Gargoyle, Chrysler Building Margaret Bourke-White, 1934

Portrait of Gala, Salvador Dalí

Portrait of Gala Salvador Dalí, 1935

Rotorelief 1 (Optical Disks), Marcel Duchamp

Rotorelief 1 (Optical Disks) Marcel Duchamp, 1935

Rotorelief 2 (Optical Disks), Marcel Duchamp

Rotorelief 2 (Optical Disks) Marcel Duchamp, 1935

My Grandparents, My Parents, and I (Family Tree), Frida Kahlo

My Grandparents, My Parents, and I (Family Tree) Frida Kahlo, 1936

Object, Méret Oppenheim

Object Méret Oppenheim, 1936

The Nymph Echo, Max Ernst

The Nymph Echo Max Ernst, 1936

Still Life with Old Shoe, Joan Miró

Still Life with Old Shoe Joan Miró, 1937

Debris of an Automobile Giving Birth to a Blind Horse Biting a Telephone, Salvador Dalí

Debris of an Automobile Giving Birth to a Blind Horse Biting a Telephone Salvador Dalí, 1938

Study for a Painting, Ad Reinhardt

Study for a Painting Ad Reinhardt, 1938

Study for a Painting, Ad Reinhardt

Study for a Painting Ad Reinhardt, 1938

Untitled, Ad Reinhardt

Untitled Ad Reinhardt, 1938

Argula, Arshile Gorky

Argula Arshile Gorky, 1939

Fulang-Chang and I, Frida Kahlo

Fulang-Chang and I Frida Kahlo, 1937 – 1939

Study for a Painting, Ad Reinhardt

Study for a Painting Ad Reinhardt, 1939

Study for a Painting, Ad Reinhardt

Study for a Painting Ad Reinhardt, 1939

The Furniture of Time, Yves Tanguy

The Furniture of Time Yves Tanguy, 1939

Blind Singer, William H. Johnson

Blind Singer William H. Johnson, 1940

Collage, Ad Reinhardt

Collage Ad Reinhardt, 1940

Newsprint Collage, Ad Reinhardt

Newsprint Collage Ad Reinhardt, 1940

Self-Portrait with Cropped Hair, Frida Kahlo

Self-Portrait with Cropped Hair Frida Kahlo, 1940

The Escape Ladder (from the Constellation series), Joan Miró

The Escape Ladder (from the Constellation series) Joan Miró, 1940

Yellow Chicken, Bill Traylor

Yellow Chicken Bill Traylor, 1939 – 1940

Children, William H. Johnson

Children William H. Johnson, 1941

Migration Series No.2: The war had caused a labor shortage in northern industry. Citizens of foreign countries were returning to their native lands, Jacob Lawrence

Migration Series No.2: The war had caused a labor shortage in northern industry. Citizens of foreign countries were returning to their native lands Jacob Lawrence, 1940 – 1941

Migration Series No.4:  All other sources of labor having been exhausted, the migrants were the last resource, Jacob Lawrence

Migration Series No.4: All other sources of labor having been exhausted, the migrants were the last resource Jacob Lawrence, 1940 – 1941

Migration Series No.6: The trains were crowded with migrants, Jacob Lawrence

Migration Series No.6: The trains were crowded with migrants Jacob Lawrence, 1940 – 1941

Migration Series No.8:  Some left because of promises of work in the North. Others left because their farms had been devastated by floods, Jacob Lawrence

Migration Series No.8: Some left because of promises of work in the North. Others left because their farms had been devastated by floods Jacob Lawrence, 1940 – 1941

Migration Series No.10: They were very poor, Jacob Lawrence

Migration Series No.10: They were very poor Jacob Lawrence, 1940 – 1941

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