Reply of the Zaporozhian Cossacks

Ilya Repin, 1880 – 1891
Reply of the Zaporozhian Cossacks, Ilya Repin
Reply of the Zaporozhian Cossacks, zoomed in
203 cmReply of the Zaporozhian Cossacks scale comparison358 cm

Reply of the Zaporozhian Cossacks (Запорожцы пишут письмо турецкому султану) is a Realist Oil on Canvas Painting created by Ilya Repin from 1880 to 1891. It lives at the The State Russian Museum in Russia. The image is in the Public Domain, and. SourceDownloadSee Reply of the Zaporozhian Cossacks in the Kaleidoscope

It took Ilya Repin 11 years to complete this massive work. The Reply of the Zaporozhian Cossacks to Sultan Mehmed IV of the Ottoman Empire is a joyful depiction of a Russian folktale. According to the story, Mehmed IV, the Sultan of the Ottoman Empire, sent an ultimatum demanding surrender to the Zaporozhian Cossacks after their initial victory against his troops. The ethnographer Ya. Novitsky discovered a copy of the message that read:

Sultan Mehmed IV to the Zaporozhian Cossacks:
As the Sultan; son of Muhammad; brother of the sun and moon; grandson and viceroy of God; ruler of the kingdoms of Macedonia, Babylon, Jerusalem, Upper and Lower Egypt; emperor of emperors; sovereign of sovereigns; extraordinary knight, never defeated; steadfast guardian of the tomb of Jesus Christ; trustee chosen by God Himself; the hope and comfort of Muslims; confounder and great defender of Christians—I command you, the Zaporogian Cossacks, to submit to me voluntarily and without any resistance, and to desist from troubling me with your attacks.

—Turkish sultan Mehmed IV

Repin’s painting depicts the Cossacks composing a vulgar reply with tremendous hilarity:

Zaporozhian Cossacks to the Turkish Sultan!

O sultan, Turkish devil and damned devil’s kith and kin, secretary to Lucifer himself. What the devil kind of knight are you, that can't slay a hedgehog with your naked arse? The devil excretes, and your army eats. You will not, you son of a bitch, make subjects of Christian sons; we've no fear of your army, by land and by sea we will battle with thee, fuck your mother.

You Babylonian scullion, Macedonian wheelwright, brewer of Jerusalem, goat-fucker of Alexandria, swineherd of Greater and Lesser Egypt, pig of Armenia, Podolian thief, catamite of Tartary, hangman of Kamyanets, and fool of all the world and underworld, an idiot before God, grandson of the Serpent, and the crick in our dick. Pig’s snout, mare’s arse, slaughterhouse cur, unchristened brow, screw your own mother!

So the Zaporozhians declare, you lowlife. You won't even be herding pigs for the Christians. Now we’ll conclude, for we don't know the date and don't own a calendar; the moon’s in the sky, the year with the Lord, the day’s the same over here as it is over there; for this kiss our arse!

—koshovyi otaman Ivan Sirko, with the whole Zaporozhian Host.

Repin’s years of work paid off. The painting’s subject matter and epic scale ticked the Russian emperor Alexander III’s funny bone, and he purchased the painting for 35,000 rubles—at the time, the highest price ever paid for a Russian painting.


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Reed Enger, "Reply of the Zaporozhian Cossacks," in Obelisk Art History, Published September 26, 2016; last modified September 25, 2022,
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