Industrial Revolution

Post-Impressionism , Page 4

In the Garden, Sigrid Hjertén

In the Garden Sigrid Hjertén, 1920

Le Muillard, Élisabeth Chaplin

Le Muillard Élisabeth Chaplin, 1920

Summer Flowers, Anne Estelle Rice

Summer Flowers Anne Estelle Rice, 1920

The Green Tablecloth, Anne Estelle Rice

The Green Tablecloth Anne Estelle Rice, 1920

The Abandoned Doll, Suzanne Valadon

The Abandoned Doll Suzanne Valadon, 1921

Blessing of the Tuna Fleet at Groix, Paul Signac

Blessing of the Tuna Fleet at Groix Paul Signac, 1923 – 1923

Gypsy from Figueres, Salvador Dalí

Gypsy from Figueres Salvador Dalí, 1923

The Blue Room, Suzanne Valadon

The Blue Room Suzanne Valadon, 1923

Woman, Two Men and Children, Albert Gleizes

Woman, Two Men and Children Albert Gleizes, 1924

Women In White Stockings, Suzanne Valadon

Women In White Stockings Suzanne Valadon, 1924

The Window, Pierre Bonnard

The Window Pierre Bonnard, 1925

Reclining Nude, Suzanne Valadon

Reclining Nude Suzanne Valadon, 1928

Sleeping woman, Pierre Bonnard

Sleeping woman Pierre Bonnard, 1928

Indian Church, Emily Carr

Indian Church Emily Carr, 1929

Blunden Harbour, Emily Carr

Blunden Harbour Emily Carr, 1928 – 1930

Brittany, Anne Estelle Rice

Brittany Anne Estelle Rice, 1930

Vanquished, Emily Carr

Vanquished Emily Carr, 1930

Big Raven, Emily Carr

Big Raven Emily Carr, 1931

Red Cedar, Emily Carr

Red Cedar Emily Carr, 1931

Totem and Forest, Emily Carr

Totem and Forest Emily Carr, 1931

Tree Trunk, Emily Carr

Tree Trunk Emily Carr, 1931

Forest, British Columbia, Emily Carr

Forest, British Columbia Emily Carr, 1931 – 1932

Old Timer, Emily Carr

Old Timer Emily Carr, 1931 – 1932

Self-Portrait as a Tahitian, Amrita Sher-Gil

Self-Portrait as a Tahitian Amrita Sher-Gil, 1934

Dining Room on the Garden, Pierre Bonnard

Dining Room on the Garden Pierre Bonnard, 1934 – 1935

Group of Three Girls, Amrita Sher-Gil

Group of Three Girls Amrita Sher-Gil, 1935

In the Forest, BC, Emily Carr

In the Forest, BC Emily Carr, 1935

Nude in an Interior, Pierre Bonnard

Nude in an Interior Pierre Bonnard, 1935

The workshop with Mimosa, Pierre Bonnard

The workshop with Mimosa Pierre Bonnard, 1935

Blue Sky, Emily Carr

Blue Sky Emily Carr, 1936

Two Women, Amrita Sher-Gil

Two Women Amrita Sher-Gil, 1936

Red Verandah, Amrita Sher-Gil

Red Verandah Amrita Sher-Gil, 1938

Happiness, Emily Carr

Happiness Emily Carr, 1939

My classical education naturally led me to study the Masters ... until the day when I realized that for me it was necessary to forget the technique of the Masters, or rather understand it in a completely personal manner. Isn’t this the rule with every artist of classical training?

Notes of a Painter on His Drawing Henri Matisse, 1939

Odds and Ends, Emily Carr

Odds and Ends Emily Carr, 1939

The Big Bath, Pierre Bonnard

The Big Bath Pierre Bonnard, 1937 – 1939

The Merry Cemetery, Amrita Sher-Gil

The Merry Cemetery Amrita Sher-Gil, 1939

The Terrace at Vernonnet, Pierre Bonnard

The Terrace at Vernonnet Pierre Bonnard, 1939

Wind in the Tree Tops, Emily Carr

Wind in the Tree Tops Emily Carr, 1936 – 1939

Mining in the Basin, Théo Kerg

Mining in the Basin Théo Kerg, 1942

The Leaf of the Artichoke is an Owl, Arshile Gorky

The Leaf of the Artichoke is an Owl Arshile Gorky, 1944

The Couturières, Édouard Vuillard

The Couturières Édouard Vuillard, 1946

Village People, Grégoire Michonze

Village People Grégoire Michonze, 1952

Dinner is Served, Grégoire Michonze

Dinner is Served Grégoire Michonze, 1958

Next Movement
Les Nabis, Industrial Revolution

Les Nabis

Painting metaphor and symbol

1888 – 1900

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